Showing posts with label Sensory history. Show all posts
Showing posts with label Sensory history. Show all posts

Thursday, 26 May 2016

Roman Military Kaibos (i.e. loos)

One of the biggest surprises of my tour of select Roman military sites on the British frontier/s has been coming across the "prominently" placed, and often signposted, Roman military loos (in Britain, so loos).  Of course, there had to be a place where people did numbers ones and number twos, but in normal conversation or discussion - at least in my experiences in class and in the course of my research - it's not something that's entered my stream (pun intended) of consciousness.  Toilets have come occasionally, or rarely even, in my preparation in years past for the UofW's Roman Society course.  It's always fun too to bring up the famed bleaching of Roman togas, for which we have such great evidence from Pompeii.  Indeed, I remember learning all about it in my 4th year honours seminar class on Pompeii at Mac.  

Anyway, point is it's come up on occasion, I know it had to be there (in the back of my mind), but I hadn't given much thought beyond that.  I've come across five Roman military loos on this comparably short and condensed tour:  one at Caerleon in Wales, one at Chesters in England, one at Housesteads in England, and one at Arbeia in England.  Evidently too, though I haven't seen it myself, they've found a wooden "posh" toilet seat at Vindolanda.  What's familiar about seeing what few "seats" we've found is that the shape is basically the same that you find in most toilets, at least in the west, today.  What's less familiar, again in the west, save for those troughs you find in so many UK mens' toilets, is the public aspect of the urination and defecation.  Some of us don't have any trouble doing the duty in the presence of others; others of us, myself included, like to keep our number ones and numbers twos on the down-loo.  In the Roman forts, however, at least those that I've seen, the common soldiers are more often than not going to be doing the business - how many euphemisms can I use? - in the presence of their comrades.  Sure, we can't prove that those long-dead Roman soldiers who shared my views didn't go off into the middle of the woods to do their thing, but I'm guessing given various rules and regulations surrounding movement into and out of a fort on duty, this might have been more difficult to do.  

Ultimately, this public pooing raises all sorts of interesting questions.  For one thing, from the perspective of the sensory experience of Roman life, it's not hard to imagine what it might have been like.  If you've ever had some experience of port-o-johns, as they called them in my youth, put up for construction workers or at outdoor concerts and the like, or even the kaibos and outhouses of the Canadian cottage-country world, then you know how bad those things can smell when you're inside.  Many of those, at least the former, would be emptied on some sort of rotation; of the latter, I've never really known.  In the case of Roman military bases, however, would anyone every empty those things?  Presumably something would have to give, though beyond my experience with dog poo in the cities and wilds of Canada, I know little-to-nothing about how long it takes for it decompose.  Still, if it was allowed to pile up, and if the all the men (to say nothing of the women and children) in a base were regular (no fibre needed), it wouldn't be long before you might have something approaching "Aegean Stable" proportions with no Herakles in sight.  Even so, even if the emptying of the loos wasn't regular, the smell, possibly even the taste, of those environments would have been remarkable unless they made some attempt to mask the smell or keep things in check.  And, these loos were also found within the confines of what where enclosed settlements – Roman military forts were without fail surrounded by walls, often stone ones that would, I’m guessing, trap the smell inside.  For, as bad as it might be for those who went in to do a number one or number two, there’s also the issue of the smell wafting over to those who lived beside the loos.  If I recall, at Caerleon the loos were positioned right beside one part of the barracks.  Perhaps if you’d been a bad soldier you’d have to live at that end for a time?

As many forts as possible, it seems, from what I can gather, tried their utmost to be self-sustaining.  Should the loos be seen as part of this practice?  When it comes to urine I would think so, if we assume that there was some sort of piping that led the urine to some sort of fulling centre.  On the other hand, I don’t recall ever coming across some sort of place in a fort.  Maybe they’re there and I missed them, but maybe not.  Of course, Roman soldiers, the odd officer aside, would likely have little concern with getting their togas gleaming white.  If we get back to the poo, might it have been used as part of wider fertilization practices in and around the fort?  I have no idea how useful human poo is when it comes to fertilization, though I imagine it would have some benefit.  At the same time, their diets wouldn’t have been comprised of the same sorts chemicals and processed foods that ours are today, so their poo might have been more valuable from a re-use perspective, though I’m speculating.

Another issue is the standing or sitting for number ones – and one can’t hope to resolve (I think?).  We thinking of men standing to pee and, well, obviously sitting to poo.  From a practical point of view – and bear in mind you would get a whole row of these toilets – would those who had to pee be standing, hypothetically, between those who had to poo?  What happened if the spray got out of control?  On the other hand, did you just sit in these environments?  Standing while peeing, at least among males, seems like a biological characteristic, at least when toilets aren’t involved.  But if you were in this environment would you change your habits?

One last thing to note:  unit cohesion.  What better way to bond with your fellow soldiers than in the loos?  Those who shit together, fight better together.  Might these public military loos have had some sort of advantage from that perspective?  I guess the only catch with this angle is that I believe that public loos were a common thing in the Roman Empire in general.  In that instance it might have been less the case that it provided soldiers an opportunity to bond and more the case that it was just part of regular Roman urban life.  Indeed, many see Roman forts as mini-outposts of Roman urban life, which I think is a reasonable enough assumption.  

All in all, much food for thought – or in this case digest.  And I leave you with a photo of the Roman military kaibos at Arbeia.


Tuesday, 5 April 2016

Agathias on War

It may seem all too predictable, especially given the trajectories of Cameron and Kaldellis, but for a long time I've considered dabbling much deeper into the world of Agathias. As little as there has been written on Procopius, even less has been written on Agathias, and a good part of that, for obvious reasons, has been devoted to his poetic proclivities. What is more, though this is, to some degree, par for the course, opinions of his capabilities vary widely, and there have been no sustained and extensive treatments of his value as an historian.  Kaldellis did write a handful of papers that focused on Agathias the historian, and Cameron wrote her monograph on Agathias more generally, but there's nothing substantial (in terms of size at least - not quality) out there on Agathias as an historian, and certainly nothing focused on his military credentials.

And yet, despite his legal background and poetic leanings, Agathias devoted a lengthy, or at least significant, and detailed history to military matters, a fact which he himself professed early in his text.  He self-consciously followed in the footsteps of Procopius, at times seeking to distance himself from Procopius' perceived failings, at others subtly agreeing and/or engaging with Procopius' military leanings.  Some see Agathias' discussion of military matters as excellent (Syvanne); others as sub-par (Wheeler).  And yet, if no one has undertaken a sustained analysis, how can we know, and how should we use him, if at all?

It's hard to underscore his importance, whether real or potential.  Like Xenophon in his Hellenica to Thucydides in his History, Agathias picks up exactly where Procopius left off in book 8.  And yet, unlike Procopius, his narrative is concentrated on only a few years, though important ones for Justinian's empire.  Agathias' History is undoubtedly shorter than Procopius' Wars - and the fact that current editions and translations don't exist in comparable texts makes my attempts to eyeball the differences between them questionable at best, there's no getting round the potential benefits of that level of detail. 

As I go through the History for other reasons, and start thinking I should devote more energy to the military character of his writing than I have (my interest in Procopius waxes and wanes several times over the course of a day), there have been a number of things that have jumped out at me.  For instance, he seems to engage with Procopius regularly, often indirectly, at least when one focuses on the military angle.  This is, I think, worth drawing attention too, especially since he's less overt in these instances than he is when it comes to the Persians, for instance. 

In addition, we know that Agathias lacked Procopius' experience with war, and so his sources for military matters would inevitably have differed in significant ways.  This would seem to cast doubt on his usefulness on military matters, though so many people who write about war these days who consider themselves experts, at least of a sort, have had no such experiences themselves, myself included.  Thus, it's not out of the realm of possibility for an educated and intelligent writer like Agathias to track down all the necessary materials to craft a believable work of military historiography.  Indeed, with this in mind, another topic that I'd have to explore would be Agathias' engagement with wider military thinking, both that evinced in the surviving military manuals, but also in the wider world.  It has struck me that Agathias' accounts have seemed far more sensible and satisfactory than I had expected and been led to believe - or even remember.  Admittedly, the last time I read him in this much detail my interest was focused almost squarely on combat. 

Anyway, much to consider.  While a thorough analysis may reveal that he doesn't deserve to be classed with Procopius, it might well be that he deserves more credit than he often gets, at least, again, in the realm of military matters.  Indeed, as I've noted before, if nothing else he seems to be one of the best writers of the experience of combat, a not unimportant subject in the wider category of military history.

Tuesday, 2 February 2016

A Sensory History of Combat in Late Antiquity

Several months ago, Jonathan Eaton introduced a book to me on Twitter that presented a seemingly novel way of approaching historical combat.  The book in question is Mark Smith's The Smell of Battle, the Taste of a Siege: a sensory history of the Civil War, does what it's title suggests.  I haven't finished it yet, but I've been working through it while working on a number of other things.

Admittedly, and for my sins, I've contemplated/started working a sensory history of combat in late antiquity, and the sixth century in particular.  While it's early days yet, there are a few things that have struck me about this approach to war, especially when the ancient world is the subject matter.  The first is the inevitable, "is this even possible".  Smith's book draws on all sorts of different kinds of evidence, from letters to newspaper and magazine articles, and paintings.  He's also able to draw on the perspectives of a wide swath of the 19th c. US.  As always, we don't have the same quantity of material, and the perspectives are much more limited.  What's more, even if there is considerable variety in the kinds of literary evidence that we have from the sixth century, and if it comes from all sorts of different people, that late antique swath wasn't all interested in the same things.  We may have monks and officers and local elites writing about all sorts of things, but it's still a restricted group of people who write about war:  historians, though not always, and the occasional poet.  We do have letters, of course, both the more polished published ones (say of Augustine), and seemingly more authentic ones preserved on papyri, but even when we have letters with military figures they're not writing home about war.  So, we're still restricted:  we have well-educated men, writing in Greek and Latin, operating in an archaic, by their own day, literary world, with some exceptions.  This makes it tough to get a balanced picture.

Another thing that has struck me is related to the first.  Most of our evidence for combat comes from literary descriptions that, for right or wrong, follow a traditional model.  The bulk, majority, even all the writers were classically educated, and well-versed in rhetorical exercises.  Those rhetorical exercises, when they were discussing battle or not, emphasized the sensory.  Indeed, battle itself was classed as an ekphrasis, and the purpose of an ekphrasis was to bring the thing described before the eyes of the reader or listener.  You could, too, extend the eyes to the mind - the reader/listener should be able to imagine what they're reading/listening to.  And, while a great deal of attention is placed on the visual, some of the language is directed towards other senses, like sound.  The conundrum, then, should be all too obvious.  I'm looking for evidence of the sensory experience of battle.  To find it I'm having to rely on, by and large, literary accounts that are, in turn, heavily dependent on classical models that emphasize the sensory.  How do you separate the literary from the historical?  Book 8 of the Wars and Agathias' History provide very descriptive sensory accounts of combat, which aren't dissimilar from the literary flourishes of Corippus, the epic poet, in his Iohannis.  Is it possible to disentangle this material?

One last thing I want to draw attention to is the character of Smith's book, at least so far.  It seems to be heavy on description, and short of analysis.  Granted, the purpose seems to be to get a sense of what it was like to experience an historical event, in Smith's case the Civil War (US), based on what evidence and tools we have at our disposal.  In the case of war, however, this seems to be a version of Keegan's "face of battle", which advocated approaching battle from the perspective of the common soldiers rather than the officers and generals that had featured so heavily.  I am, then, struggling to see what makes this sensory history unique.  Granted, I've read almost nothing, and none of it has focused on antiquity, but at this point I'm quite sceptical. 

I have a growing list of items to read, one of which combines archaeology and the senses.  Indeed, when I decided to give it a go, I thought about how I might find comparative evidence to support (contradict, or other) what I find in the literary accounts, and the physical evidence seemed to be a way forward.  I've thought about the kinds of weapons that we're likely to be used, and what sorts of sensations they were likely to give:  what do iron swords sound like when they crash together, what does it feel like when 100s or 1000s of horses come barrelling down a hill, what does it taste like to have your face in the dirt as you're trampled by your comrades in the midst of mad dash to escape?  If I know something about the environment of a battle (near a city or out in the middle of nowhere), the season (what temperature might it have been, and what sort of precipitation might they have had to deal with), the time of day, the number of participants, and their constituent parts perhaps I can draw on this factual material along with some comparative evidence (the feel of 100s/1000s of horses) perhaps I can write a sensory history of sorts. 

At this point, however, and to be perfectly honest I'm not sure.  Indeed I might be able to pull this off, though I might also end up writing an essay that all-but-slams this approach to history.  And yet, on the other hand, while my mind says yes, my heart says no (don't do it) - this has often been what I'd like to know most.  What was it like to be alive and experience a particular epoch?  Well, perhaps I'm finally about to find out.